Artist's Statement: My work can be divided into three categories that are distinct but not unrelated. The work all springs from a common vantage point, my on-going fascination with natural forms, patterns, and surfaces, and more recently with classical architectural motifs, many of which are stylized interpretations of nature. Inspired by this imagery, using the ceramic medium, I seek to express a sense of life's cyclical nature. Vessels: My first path involves an ongoing exploration of the vessel form. The vessel tradition is one of the oldest in ceramics, and although I may temporarily veer off this path to travel on another, I inevitably return to it. It is the relationship of the vessel to the human body, its form and its ability to gather and contain, that continues to inspire me. The vessel form provides me with unlimited opportunities for sculptural interpretation and embellishment. Public and Private Commissions: The second path leads me to investigate the possibilities of architectural installation. This often takes the form of site-specific commissions for public spaces or private homes. For instance, I have completed several projects consisting of sculptural light sconces for indoor or outdoor locations. The light sconces are designed for either electric lighting or candlelight , and they are usually constructed of a combination of clay and glass. Ceramic Tiles: A third path of inquiry inspires me to look at the history of ceramic tile and to consider its potential for contemporary interpretation and application. My tile work takes the form of either custom-designed commissioned work, or self-directed projects. Recently I have begun to create a series of heritage tiles that are based on architectural motifs that embellish many of Winnipeg's historic buildings. These tiles pay tribute to our rich architectural legacy, and my hope is that they will help draw attention to one of our city's greatest assets.